My guest today is Harold LaRue a mastering engineer and audio educator based in Houston, Texas. Harold started out playing drums and running live sound in the 80’s and worked as a software developer and pro audio repair technician before meeting his wife, Elizabeth, an accomplished restaurateur; together, they built and operated several popular restaurants and a recycling company before he returned to his passion for recording and music production.
Harold studied with Producer/Engineer, Ronan Chris Murphy (also on the podcast RSR015), and learned the theatrical sound trade as a Union Journeyman on Broadway shows and other large-scale productions.
Harold shares his knowledge and experience with universities and recording schools across the country, provides technical support and consulting services to recording industry professionals, and operates a full-time mastering business, working on projects for artists including Macy Gray and R&B legend, Jeffrey Osborne.
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My guests today are Jesse and Jonah Marks, the founders and curators of The Touch of Sound, a recording adventure and website dedicated to authentically capturing the sounds of the world.
Anything from fish markets in Japan and Turkey to Sea Lions in the Galapagos Islands to the street musicians of Cuba will make it onto their website which includes sounds they themselves have captured plus sounds from contributors like yourselves Rockstars. Hint Hint.
Jesse is an audio engineer who began recording location sounds for potential use in his professional and personal projects. Jonah is an avid traveller whose passion for exploration has taken them around the globe. Whenever possible, they travel together at a furious pace, but their obsession with collecting sounds slows them down to appreciate the moments. Over the past 12 years, they have travelled the world with a microphone and a mission: to collect authentic and high-quality audio recordings.
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My guest today is Jarrad K, a Southern California raised, Nashville based songwriter, producer and multi-instrumentalist. He has worked with an eclectic slew of artists including Weezer, Goo Goo Dolls, Kate Nash, Ruston Kelly, Betty Who, The Brummies, Travie McCoy of Gym Class Heroes and Elohim.
He also has toured with various artists such as Zak Waters/Pretty Sister, Ruston Kelly and Lucie Silvas.
He currently owns and operates his own recording studio, Chateau Noir, in East Nashville.
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My guest today is Steve Chadie who began his career as an intern at Willie Nelson's Pedernales recording studio in 1995, quickly working his way up to Assistant Engineer for Larry Greenhill. Upon Greenhill’s departure, he took on the position of Head Engineer, capitalizing on the learning opportunities presented while working alongside many producers including John Porter, Paul Leary and a recurring 14-year stint with legendary producer Andy Johns.
Steve has been awarded multiple gold and platinum records and several Grammy nominations spanning a wide range of artists including Sublime, Los Lonely Boys, the Supersuckers and Merle Haggard. Whether recording major label artists or local bands, Steve approaches the task with the same enthusiasm and attention to detail and artist comfort as he was taught to do from the start. He has a deep respect for the art and is always willing to lend a helping hand, gear or advice to upcoming young engineers that he collaborates with. He is of the opinion that this is an apprentice-based guild and knowledge should be passed down to these engineers to keep the craft alive.
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My guest today is Hamish Benjamin a Recording Engineer and Producer from England, as well as the host of a new very cool podcast called 'Somewhere Sound' where he interviews great producers and engineers. Hamish is also the youngest guest to be on Recording Studio Rockstars at the tender age of 21. He started his podcast less than a year ago yet he already has a whos who list of incredible guests including Mark Howard, Larry Crane. Joe Chiccarelli, Steve Albini, Butch Vig, Vance Powell, and Eric Valentine to start.
As an engineer himself, he runs a portable recording studio business also called 'Somewhere Studios' recording mainly from a hall in the south east of England. He specialises in recording bands live, playing together in one room, fusing traditional recording techniques with the benefits of modern digital recording.
So I am excited to talk to Hamish today about what he has learned from his luminary podcast guests and from starting a studio business himself. And maybe even remembering what it was like to be 21 again. :-)
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My guest today is Justin Francis a multi Grammy nominated Nashville engineer and mixer who I got turned on to from listening to mastering engineer Kim Rosen’s discography when preparing for her interview.
Justin Mixes from his log cabin home studio in Ashland City, Tennessee. In just one week, clients can range from Andrea Bocelli to Alice Cooper, and other notable artists include Top 40 bands like Little Big Town; country singers like Kacey Musgraves, Ronnie Milsap, Tyler Childers, Margo Price, and Rodney Crowell; blues legends like Buddy Guy; classic rock stalwarts like Deep Purple; punk legends like Anti-Flag, and rabble-rousers like Rozwell Kid and Diarrhea Planet — streams of which reach more than a million every month. Additionally, Justin’s work with bluegrassers like Special Consensus and Frank Solivan & Dirty Kitchen earned him two Grammy nominations for Best Bluegrass Album.
Today I’m going to ask Justin all about his studio here in Nashville, how he likes to mix a wide variety of music, and what tips we can learn for getting better mixes in our own pro and home studios.
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My guest today is Ryan Smith a mastering engineer at Sterling Sound. He has mastered records for a wide array of artists, including Greta Van Fleet, Elle King, and AC/DC.
Ryan Smith began his journey in the world of audio when he moved to New York City in 1995. In the late 90’s he moved through various recording studio gigs and other “audio odd jobs” around New York City. This eventually led to a job as an assistant engineer at the Manhattan’s Right Track Recording, where Ryan had the opportunity to work alongside legendary engineers and producers, including Phil Ramone, Arif Mardin, Russ Titelman and Frank Filipetti.
In 2002, Ryan made the move to mastering. He joined Sterling Sound where he’s been for the past 17 years. Early in his time at Sterling, Ryan spent time working alongside both Ted Jensen and the late George Marino. In addition to digital mastering, Ryan learned the art of vinyl mastering and lacquer cutting from George. During the current resurgence of vinyl, Ryan has become one of the most in demand vinyl specialists around.
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My guest today is Daniel Ford aka “Dr Ford”, 6 x Award Winning Producer and Mixer with music at #1 on iTunes, & the Billboard Top 20. Daniel has Studio C of the world-famous Sound Kitchen Studios here in Nashville and has been on the show with us before for episode RSR136 to talk share some great tips for vocal mixing.
We also covered Daniels recording journey studying under west coast legends Ronnie King and DJ BattleCat of Tupac, Snoop, & Dr Dre cred. So go back and check out that episode to learn more. But today we decided to bring Dr Ford back to focus strictly on mixing in your home studio. Lets learn what we can about taking the tracks that you have or that people send you and mixing the drums, bass, guitars, keys, and vocals to sound like a polished mix.
Were going to dig into each element of a mix and break down some of the challenges and solutions that you might run when mixing. Dr Ford has lots of experience teaching online and in person. So if you want to follow up this interview to learn more then make sure to check out his website at DrFord.com or go visit his Youtube channel where he does regular videos including a new series called The Dr’s Office.
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My guest today is Justin “Corky” Cortelyou a platinum selling Nashville producer, engineer, mixer who has worked with all sorts of great talent learning under greats like bluegrass legend Bil VornDick (working with Marty Robbins, Ralph Stanley, Alison Krauss) , mixing guru Chuck Ainlay (working with Dixie Chicks, Mark Knopfler, Miranda Lambert), and master mixer Mike Shipley (working with Def Leppard, Shania Twain, Maroon 5, and Aerosmith).
Justin studied music and engineering at Middle Tennessee State University, became the night manager for Sound Stage Studios before moving out to LA to work with Mike Shipley. Justin then teamed up with producer, songwriter, and musician, Tommy Henriksen. He partnered with Tommy developing artists, negotiating record deals with Warner Bros., Geffen, and Interscope, touring, and doing front of house.
In 2008, Tommy and Justin moved their operations to Nashville, TN where they teamed up with legendary producer, Bob Ezrin (Pink Floyd, Alice Cooper, KISS). Alongside Bob Ezrin, Justin worked with some of the biggest artists in history including Paul McCartney, Deep Purple, Alice Cooper, Joe Perry, Johnny Depp, Phish, Ke$ha, and Kiss to name just a few. Working out of Ezrin’s Anarchy Studio, Justin’s work has gone on to gain international acclaim including numerous #1’s and sales records.
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My guest today is Chris Finney a Grammy Winning Producer, Engineer, and Mixer. He is a life long advocate of music and business education, on both the High School and College levels.
His 25+ years in the recording studio include dates with Robert Plant, B.B. King, Herbie Hancock, and New Orleans legends Dr. John, Harry Connick, Jr., Allen Toussaint, the Meters, and Fats Domino. He has been instrumental in kicking off and developing the recording careers of New Orleans funk-rock mainstays Galactic, Trombone Shorty, The Revivalists, Naughty Professor, and newcomers like SexualThunder! and Organized Crime.
In 2017, He co-founded the non-profit 30AMP Circuit, with renowned guitarist Charlie Hunter. 30AMP’s mission is to bring music from underserved communities around the world into the mainstream. Their first project brought them to rural Southeast Mexico to produce “Lo Sagrado,” by Silvana Estrada, which was released in November, 2017.
Chris is currently adjunct professor of Music business at Tulane University in New Orleans, and is an active member of the Memphis Chapter of the Recording Academy, currently serving as a Chapter Governor, as well as Co-Chair of the Producers and Engineers wing.
A big thanks to Emile Louapre, for introducing me to Chris to bring him on the show.
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My guest today is Jessica Tomasin, manager at Echo Mountain Recording Studios in beautiful Asheville NC. Under her direction, the studio has evolved into a world-class destination featuring a full range of digital and analog capabilities with an amazing selection of gear and a wide variety of credits like War On Drugs, The Avett Brothers, Dierks Bentley, Iron and Wine, Flogging Molly, Steve Martin & The Steep Canyon Rangers, and many more. And through volunteering and establishing private companies and non-profit organizations, she is committed to helping the future of music and promoting the city as a musical destination.
Jessica also co-founded the Asheville Music Professionals, a non-profit organization committed to providing education, advocacy, connection, and collaboration in the music community. She is also the co-owner of ACME, a publishing company that helps to connect artists with licensing opportunities.
In 2013 she was chosen as Entrepreneur of the Year by the City of Asheville/Chamber of Commerce for her work in music. In 2014 she started Jet Up Productions, a full service event management and production company, and has curated a number of festivals and events each year such as The Breeder’s Cup, Asheville Goombay Festival, Beer City Festival, Brewgrass, RHS Community Foundation Fundraiser featuring Gladys Knight and Little Big Town, and many other projects. Her latest event, Connect Beyond Festival, is an arts and literature festival featuring creative talent from around the world with a mission to inspire change for social justice through music, film, art and literature.
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My guest today is Kim Rosen a mastering engineer working out of her own studio, Knack Mastering, located in Ringwood, NJ. Kim’s mastered six Grammy® nominated albums in the past four years; one winning for Best Folk Album (Aimee Mann), three nominated in Best Blues Album categories (Bettye LaVette, Victor Wainwright and Theresa James) as well as two nominations in the Best Engineered Album/Non-Classical category (Bonnie Raitt and The Milk Carton Kids).
Kim grew up in Northampton, Massachusetts and poured herself into the vibrant college music scene. In the summer of 2002, a friend turned her on to a mastering studio in NJ that was looking for an intern. Kim jumped at the opportunity, moved to NJ and began her journey at West West Side Music with Alan Douches (RSR092).
In 2009, after working her way up to Staff Mastering Engineer at West West Side, Kim decided to go out on her own and has built a growing list of clients that includes producers and engineers such as Ryan Freeland, Ed Cherney, Joe Henry, Matt Ross-Spang, Paul Q. Kolderie and artists such as Rhiannon Giddens, Aimee Mann, Belly, Bonnie Raitt, Billy Bragg, Wynonna Judd, The Birds of Chicago, The Barr Brothers, Over The Rhine, Sarah Jaffe, Anthony Green and Title Fight.
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My guest today is Tommy Womack A Singer-songwriter, author, humorist and Kentucky native Tommy Womack got his start in 1985 to 1992 with legendary Bowling Green based post-punk and college radio faves, Government Cheese (who’s story is immortalized in Tommy’s cult classic book “Cheese Chronicles”).
Upon moving to Nashville in 1992, Tommy’s become known for his long working relationship with Will Kimbrough, starting with their bands the bis-quits (who made one classic album for John Prine’s Oh Boy label in 1993), and their band Daddy, who have made two albums and enjoy a cult following.
Since 1998, Tommy has released seven solo albums, the latest being the brand-new “Namaste”. He looks forward to the back half of 2016 with new songs from that record to play, in addition to such proven past show-stoppers as “Nice Day”, “Vicky Smith Blues” and “Alpha Male & the Canine Mystery Blood.”
In addition to “Cheese Chronicles”, Tommy is the author of the comic Civil War novella “The Lavender Boys & Elsie”, and the recently published “Dust Bunnies”. He has written for many magazines, including the Oxford American, and is a regular contributor to The East Nashvillian.
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My guest today is Matt McQueen a studio owner, recording engineer, music producer, and videographer who built his studio in 2013 in an abandoned church located in the mountains of a rural East Tennessee town. The building has a 30 x 50’ live room with 24’ high ceilings and large old wooden rafters.
Matt has recently gone full time with his studio having had plenty of experience creating music but also creating content as a videographer for other producers like Warren Huart and Glenn Fricker. This has led him to create his own video channel for his studio to help promote local artists and bands.
We live in a world where social media and YouTube channels can be an important part of our musical output. So I’m psyched to talk with Matt today about making the leap to go full time in music and also see what we can learn about creating content for our own studios and artists that we work with. And of course we will be digging into his process for recording and mixing too.
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My guest today is Rolff Zwiep who moved to Nashville as a musician/songwriter, and small business owner founding Technical Knock Out Products, a musicians accessory sales and manufacturing business. Working his way through ‘real jobs’ in the industry as a cartage tech, freelance stage hand & stage manager, production manager with the Nashville Symphony, and working in and managing a number of music/entertainment based service businesses.
In 2004 Rolff launched Blackbird Studio’s audio equipment rental business with John McBride and in 2015 assumed his current role as Blackbird Studio manager working with clients including major labels, publishing companies, indie artists and bands, film/video production companies and studio themed events.
I’ve known Rolff for nearly 25 years and he has even helped me put together my Hay Bale Studio at Bonnaroo before when we needed to rent lots of awesome gear.
I’m psyched to learn more about managing a professional studio and gain some business wisdom and insights today.
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My guest today is Billy Decker originally from Nebraska. He studied criminal justice before following his calling in music to become one of the highest ranking students at Full Sail Center for the Recording Arts in 1992. Then in 1994, Decker moved to Nashville where he’s been working ever since.
Billy has mixed 14 #1s to date - most recently, Chris Young's "Losing Sleep". He has mixed for Kenny Chesney, Darius Rucker, Jason Aldean. Jaime Lynne Spears, and Sam Hunt making history in July of 2014 when Sam Hunt became the most added new artist of all time. Billy had the honour to mix George Jones’s last album before he died.
Billy also makes signature mixing plugins for Joey Sturgis Tones where you can find all in one tools for Drums, Bass, Guitars, Vocals that model Billy’s tried and true methods for mixing quickly to get that hit country sound that he is so well known for.
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My guest today is Colt Capperrune who for the past 18 years has been a FOH engineer, studio engineer, live guitarist, and songwriter. His focus these days is Producing, Mixing, Session guitarist, Artist Development, and Mastering. In the past several years you could add Social Media Influencer to that list too.
He produced his first record when he was 19, and has now charted Top 40 on Billboard, had #1's on iTunes, Amazon, and other radio charts. He has spoken at Belmont University, and is super passionate about developing artists so they make a living from their music. His website even makes a point of showing before and after examples of starting with a worktape for an artists and developing a finished production.
I connected with Colt recently through another guest on the show Daniel Ford, and I’m psyched to talk about producing awesome guitar records and whatever else we can come up with.
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My guest today is Andy VanDette a mastering engineer who started his career interning at the legendary Masterdisk under Bob Ludwig. After completing his degree in Tonmeister Studies, he was hired full time. During the CD’s explosion, he spent time with other mastering luminaries -Tony Dawsey, Howie Weinberg, Greg Fulginiti, Greg Calbi, and Vlado Meller.
He learned more than just how to Master and cut vinyl. He observed their perspectives on processing and musicality. By the time the MFiT standard was introduced, Andy had been Chief Engineer for 14 years and had mastered classic albums from the Beastie Boys, Uncle Kracker, Whitney Houston, David Bowie, Rush, Deep Purple, Porcupine Tree, Dream Theater, and more.
Andy has spoken at audio schools, AES conventions. Interviewed for the New York times, Ars Technica, SonicScoop.com, MusicPlayers.com, and presented “Friends Don’t Let Friends Press Bad Vinyl” at SXSW 2015.
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My guest today is Tim Dolbear who cut his musical teeth playing live with people such as Sammy Hagar, and in the studio with his mentor, producer Keith Olsen. Currently, he works with both labels and independent artists, and receives projects from all over the world. Since 1999, He has owned and operated Eclectica Studios, originally located in Los Angeles, operations were moved to Austin TX in 2006. In 2019 Eclectica Studios moved to its current location in Nashville.
Tim is a guest lecturer for audio production at many colleges throughout N America including Blackbird Academy, NYU and SAE. Tim is also a published writer who writes for MIX, Sound on Sound, and Professional Sound Magazine.
I met Tim recently through Mark Rubel at Blackbird Academy. So thanks again Mark!
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My guest today is Steve Albini musician engineer and owner of Electrical Audio in Chicago. Steve is known for his love of analog tape and extensive discography that includes artists like Nirvana, The Pixies, The Breeders, Robert Plant & Jimmy Page, The Stooges, Cheap Tick, and PJ Harvey to name only a few of more than a thousand records he has made spanning the past 40 years.
Steve has also been a previous guest on the podcast when we talked about his start in recording and creating Electrical Audio. So please check out that episode RSR078. He also makes time to speak publicly about music and recording and teaches as well through Mix With The Masters.
So on today’s episode I thought I would focus more on mixing and see what we can learn about mixing records on analog tape through consoles and also how that might inform the decisions we make when mixing digitally in the computer as well (or not).
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Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com
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My guest today is James Ivey, the Technical Editor of Pro Tools Expert and owner and facilitator at Location Recordings in London UK.
James has been playing drums since the tender age of 7, performing his first paid gigs at the age of 8. From that moment on there was no stopping him. His parents brought him is first 4-track tape recorder (a Tascam Porta 01 costing well over £1000) at the age of 12 which gave him the bug for recording and ever since then he has been collecting and acquiring gear to make his studio and productions the best they can be.
James’ first job in the audio industry was with a pop video production company where he learned what the term deadline really means and other audio skills which have stuck with him, like the importance of clock and sync. Since then he has worked for studio equipment suppliers and installers as well as companies like Sibelius and later Avid and a production demonstrator.
James or Jivey is officially the Production Expert gear junkie. If it makes a noise and you can play it or record it, he’s interested.
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My guest today is Sara Carter, a BBC trained, mixing and mastering engineer based in Basingstoke in the UK.
Sara started recording and mixing music in the mid-’90s from a small home studio as a hobby. In 2000, at the somewhat ripe age of 34, she decided to find out how to turn that hobby into a full-time career.
She studied at the SAE Institute in London gaining an Audio Engineering Diploma, then went on to work for the BBC in London as a Studio Manager. There she engineered many of the UKs most popular radio shows and live music sessions. Working from the BBCs Maida Vale Studios, she developed her critical listening skills by working with a wide variety of artists on numerous sessions and has been credited on records by Corrine Bailey Rae and KT Tunstall amongst others.
In 2009, Sara decided to take a break from broadcasting and left the BBC to explore a different career in brewing. However, in recent years, she has felt a strong calling back to music and returned with her online mixing and mastering business serving unsigned rock and indie bands from all over the world.
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Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com
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My guest today is Langston Masingale who started working in recording studios 25 years ago at age 16 in his uncle’s studio in New Jersey. He went on to help start JJ Audio Mics in 2009. In 2014, he struck out on his own and invented what would become the core technology of his tape-emulation product, Zulu. He formed Handsome Audio in 2015 with his partner Tod Levine, and they released Zulu that same year.
Langston also owns a recording studio, Narrative Audio, in Syracuse, New York, where he produces and records artists.
He loves to create new and interesting tools for the modern recording engineers and producers. And his early exposure to analog tape has guided and shaped his sonic perspective in a world of digital audio.
A big thank you to Alan Evans for introducing us. And also make sure to check out Matt Boudreau’s new book from Working Class Audio Jornal Volume 1 where you can read his interview with Langston too.
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My guest today is Nick Lobel a Nashville producer, engineer, and song writer who started out touring and recording with MI-based rock band, Monsters and Mannequins before moving to Nashville to pursue a career in music production. Following his studies at Belmont University, and internships at The Toy Box, Station West, and Ocean Way Nashville, Lobel cut his teeth as an assistant to mix engineer Sean Moffitt.
In 2016 Lobel began working with songwriter/producer Tyler Johnson. Under Tyler’s wing, Lobel has worked on artist projects including Sam Smith, Meghan Trainor, Harry Styles, Cam, and The Head And The Heart. Over the past year Lobel has been further honing his chops, producing and developing the artist Alec Bailey whose debut EP has already amassed over 4M streams.
When Nick was at Belmont he also interned with me here at The Toy Box Studio and was one of the best interns I have ever had. He has assisted and engineered for me on many projects and has also been part of my team at the Bonnaroo Hay Bale Studio.
Thanks to our sponsors!
OWC - Other World Computing: https://www.OWC.com
JZ Microphones - https://usashop.jzmic.com/ use coupon: ROCKSTAR at checkout for 50% off JZ vintage series microphones.
RSR Academy: http://RSRockstars.com/Academy
Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com
If you love the podcast then please Leave a review on iTunes here
My guest today is Steve O’Brien a songwriter who originally moved from Connecticut to Nashville to pursue songwriting after graduating from Fairfield University in 1973. He spent several years working at the offices and studios of Owen Bradley, Chet Atkins, and Ray Stevens. And had a couple of songs enter the Billboard Top 100 Country Chart in the mid-1970s. He then built his own recording studio and formed Steve O’Brien Music BMI in 1976 to be the exclusive worldwide publisher of his compositions, which have sold over 10 million copies.
Steve’s songs have been featured on numerous recent recordings, including two songs on Danni Nicholls’ “Mockingbird Lane” album, which was nominated for UK Americana Association 2017 Album Of The Year. Steve cowrote all 10 songs on JJ Lawhorn’s 2018 album, “The Huntsman” produced by Jeremy Stover which recently topped one million streams. Recent releases include Southern Halo, and Bailey James, produced and engineered at his studio and now climbing the Music Row Country independent chart. If that wasn’t enough, Steve also published a novel called The Ferrari Club in 2013.
Thanks to our sponsors!
OWC - Other World Computing: https://www.OWC.com
JZ Microphones - https://usashop.jzmic.com/
Summer Sale: (up to) 50% Off All Microphones at JZMic.com Right Now!
RSR Academy: http://RSRockstars.com/Academy
Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com
If you love the podcast then please Leave a review on iTunes here