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My guest today is Matt Robertson, a British-born, Canadian-based, 3x Grammy-nominated composer, producer, and musical director. Matt has worked with Björk, Anohni, Arca, The Cinematic Orchestra, and Ellie Goulding as musical director and orchestrator / arranger.
He has released four albums under his own name to date, balancing ambient sound design alongside warm organic techno and ripples of delicate electronics. His albums ‘Forecast’, ‘In Echelon’ and ‘Entology’, have been described as “symphonic electronica and leftfield techno that’s cinematic in scale” (Mixmag), “magnificent…wild, electronic sound” (The Line Of Best Fit) and “Nils Frahm’s modern classical meets Jon Hopkins’ grainy techno” (MOJO).
Growing up listening to a healthy mixture of Jean-Michel Jarre and Jimmy Smith, Matt graduated from the University of Surrey before working at recording studios in London learning how to fix, and later build, some of his own synths. Working with a collection of vintage, modern and DIY synths, and combining electronic music production with classical composition and cinematic soundscapes; artists, producers, and film composers alike seek his enveloping and distinct sound. His work with Anoushka Shankar awarded him 2 Grammy nominations, and he recently scored the films ‘The New Corporation – The Unfortunately Necessary Sequel’, and' ‘Navalny’.
Thanks to Damian Taylor for making our introduction!
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Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/58klpp5APh48s9nLfcMwqJ?si=a95a6f41284645b4
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/473
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My guest today is Matt Boudreau, a very successful audio engineer, Atmos mixer, producer, drummer and podcast host. I often call Matt “my brother from another podcast” as the host of the awesome Working Class Audio podcast where he also conducts interviews with producers and engineers about life in the studio but more focused on work/life balance for the working audio professional.
Matt has been a guest on Recording Studio Rockstars a couple of times already so you can check out his back story on episode RSR053 (when we actually met) and then again on RSR375 when Matt taught us all about mixing with drum samples. And today we will talk primarily about mixing because after 28 years, Matt now focuses on mixing and mastering in Stereo and Dolby ATMOS (immersive/Spatial audio). In fact Matt mixed two of the songs on my record Skadoosh! In Atmos which you can hear in the show notes along with other great works from his discography.
Matt Boudreau is based in the San Francisco Bay Area but works with people around the globe. Whether you are a self-funded artist or a major-label artist, Matt is here to help you finish a record you are proud of (literally in all directions through immersive audio)!
Thanks to iTunes search function and finding Working Class Audio for making our original introduction.
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https://www.native-instruments.com Use code ROCK10 to get 10% off!
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https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/6tdfm7hqzhn1o8PA65I7N0?si=12eb58eb5995490b
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/472
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Nick Krill, an indie rock producer, mixer, and engineer. Nick's interest in the studio began as a teenager when he would spend weekends in a basement 4-track studio with his band, The Spinto Band.
Nick spent the first part of his career simultaneously playing in bands and recording and mixing other artists in the studio. In the early 2000s, The Spinto Band gained notoriety and went on to release 4 LPs and tour extensively in North America and Europe. After the Spinto Band went on hiatus, Nick spent four years touring and recording with Clap Your Hands Say Yeah. In 2018 Nick decided to focus solely on the studio side of his work, and now produces, mixes, and engineers indie rock full time. Some highlights of his recording work include:
- Recording and mixing two volumes of "A Philly Special Christmas" (Which went on to chart on in the top 10 on various Billboard charts and had a No.1 iTunes single),
- Producing and mixing the "I Can't Handle Change" EP by Roar (This EP now has over 700 million Spotify streams, and the song "Christmas Kids" charted in the UK last year)
- Working as a recording engineer on the last two War On Drugs Lps ("A Deeper Understanding" and "I Don't Live Here Anymore")
- Producing and mixing the most recent Generationals LP "Heatherhead."
Nick has been a guest on the show before for episode RSR128 where you can hear more about his backstory. Today we will talk about new records and how to make an award-winning record!
Thank you to The Sin City Band and also Robin Eaton for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
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https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/7iN8P6p4CuvEX2XWey3Eul?si=68f30876fd604368
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/471
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Daniel Bacigalupi, a Minnesota native who has been mastering music in Nashville for 15 years. Daniel began his career at Ithaca College in New York where he earned a B.M. in Sound Recording Technology under the direction of Alex Perialas. Upon graduation, he moved to Nashville and began a 6 year career at Georgetown Masters with renowned Mastering engineer Andrew Mendelson.
Daniel opened dB Masters in Green Hills in 2014 before teaming up with Grammy Award-winning engineer Pete Lyman and Infrasonic Mastering. He now works out of Infrasonic Nashville and continues to work on projects across a variety of genres.
Daniel has mastered for a range of artists including Gabby Barrett, Darius Rucker, Parker Millsap, Parmalee, Kane Brown, Levi Hummon, Ross Copperman, Republican Hair, Ginny Owens, Hey Romeo, Here Come The Mummies, Phoebe Hunt, and more.
Thank you to Raelynn Janicke, Reid, and Pete Lyman For the Introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/3MPeoXnayV4T9ZIUIkroOk?si=17d0aec48f7a4db0
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/470