My guest today is Jon Estes, a Nashville-born multi-instrumentalist, producer, and engineer with a diverse background working with artists like Béla Fleck, Robyn Hitchcock, Kacey Musgraves, and Rodney Crowell. He's known for blending vintage gear with modern tools and for his thoughtful approach to studio work, including his own home setup.

In this episode, Jon and I discuss his journey from self-taught bassist playing in church to working at some of Nashville’s iconic studios. We explore how his early experiences with the Wooten family and studying jazz at the University of Miami shaped his musical and production sensibilities. Jon shares insights into making records with a minimal, efficient setup, emphasizing the importance of being prepared, organized, and communicative. We also get into the details of his studio design, his approach to recording instruments - especially bass and vocals - and how he uses creative tricks like headphone mics and tape techniques to achieve unique sounds.

Throughout, Jon emphasizes that authenticity, clear communication, and keeping things simple often lead to better results than chasing gear or complex workflows.

My guests today are Ronnie and Tiffany Notch, the creative forces behind Breach, a company that blends music, technology, and education in groundbreaking ways. They share their journey from a chance meeting in a recording studio to building Breach, highlighting the role of Asymbli, their entertainment division. The discussion covers their extensive educational outreach, which has impacted millions of students globally, and their collaborations with major brands like Microsoft.

They delve into the delicate balance between passion and business, the power of intuition in creativity, and the innovative use of storyboarding in music production. They also explore the importance of selecting the right artists and maintaining a playful approach to creativity, all while balancing work and family life. The episode underscores music's role as a universal language and its potential in education. 

My guest today is Josh Frigo, a producer, mixer, multi-instrumentalist, and artist based in Nashville, Tennessee, who believes in putting artists and their ideas first. After several years as a touring utility player, Josh shifted his focus full-time to production and mixing, building a creative career shaped by self-learning, collaboration, and curiosity.

Working across pop, singer-songwriter, and alternative genres, he’s produced and developed indie artists such as MisterMoon, Sparkbird, and Phùng Khanh Linh, and co-mixed Atmos projects for Niall Horan, NF, Bo Staloch, and more with his mixing partner Alex Dobbert at Movement Mixing.

A big thank-you to Andy Freeman for making today’s introduction!

My guest today is Eric Sarafin, better known as Mixerman - a gold- and platinum-selling producer, mixer, and engineer with credits ranging from The Pharcyde and Tone-Lōc to Ben Harper, Lifehouse, Barenaked Ladies, Foreigner, and Pete Murray. He’s also the author of Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, and his newest book, Mixerman’s Ultimate Guide to Producing Records, Music & Songs.

 

In this episode, Eric and I get straight into what really makes mixes work - not plugins, presets, or loudness targets, but arrangement, balance, and the way instruments naturally interact. We talk about masking as something musical rather than something to eliminate, why most of the “music” lives in the midrange, and how perceived loudness comes from balance, not hype at the top or bottom.

 

We also dig into how listening quietly can reveal problems faster, why speed and familiarity with your tools matter more than features, and how motion and distortion bring life to otherwise static tracks. Eric shares his perspective on working fast, stepping away to regain objectivity, and making decisions that serve the song instead of the tech.

 

Along the way, we cover practical mic strategies for home studios, why placement matters more than price, and how knowing why you’re choosing a tool is more important than following trends. This one is about thinking musically first - and letting the mix follow.